Artist&Pianist
Not only are the lavish court banquets and the importance of music of interest, but also the salons that I adore reading about. These were ‘small’ hubs of incredibly high intellectualism. The crossovers of information from different art forms—such as Georges Sand hosting Delacroix, Frédéric Chopin, Liszt, Balzac, and many others at her dinner table—make anyone fascinated by these refined artists wish they could be a little mouse in the corner, listening in and experiencing an evening among the people who have become immortal in our present time.
Nowadays, salons are rarely spoken of, though small gatherings of friends and acquaintances still take place. Salon music is also an important aspect of this tradition, but I have decided to dedicate a separate post to that topic.
Some salons, especially the more general ones in Paris, could host several hundred people. Invitations would mention the great artistic personalities expected to attend, making the event even more prestigious. Hosting a salon was highly beneficial from many points of view. The hostess would gain social standing and respect for bringing together such distinguished guests, while artists had the opportunity to present their latest compositions, ideas, poetry, or even paintings and drawings. Above all, these gatherings were deeply social events, where the intimate exchange of ideas—particularly in smaller, exclusive groups of major intellectuals—served as an incredible source of inspiration and cultural development.
Most salons were hosted by influential women. While they could not participate in public life in the same way men did, they played a vital role in the development of philosophical, artistic, and even political ideas. This is often overlooked, but it is important to recognize that women significantly shaped intellectual culture, albeit behind the scenes.
While their husbands were at work or away, they curated gatherings where thinkers influenced guests, musicians performed their latest works, painters showcased their newest creations, and patrons were found. Friendships were forged, and careers were launched. These salons even had a feminist aspect—female composers, often neglected on public stages, had their works performed in these intimate settings, allowing them some degree of recognition.
The role of the hostess was not a passive one. Hosting a salon required great effort, from arranging rehearsals days in advance to ensuring that gatherings occurred regularly, often on the same day of the week. These salons were crucial not only for the hosts but also for the artists, as they provided an essential cultural platform.
Franz Liszt and the Power of Salons
Franz Liszt understood the influence of salons very well and integrated his students into these evenings to expose them to this unique environment. Having spent his life immersed in salon culture, Liszt skillfully used these gatherings to his advantage. He charmed guests by personally escorting ladies to their seats, conversing with them, and even inviting them to write melodies, which he would then play on the spot. He would listen to audience reactions and develop improvisations based on the most applauded themes.
He applied the same strategy during his famous encounters with Emperor Napoleon III. Not only did he impress the emperor with his playing, but he also moved the empress to tears by performing Chopin’s Funeral March in memory of her late sister, countering the somber mood with his own dazzling Hungarian Rhapsodies. Less than a week later, he was awarded the title of Commander of the Legion of Honour by Napoleon III.